• welcome
  • about
  • blog
  • novels
  • shop
  • contact
Menu

fugitivejuice media

  • welcome
  • about
  • blog
  • novels
  • shop
  • contact
Lit Up Poster.png

LIT UP! A MONTHLY EVENT ABOUT GETTING HIGH…FROM LISTENING TO STORIES

July 2, 2019

In addition to having a cool name, Maddie Margarita is the producer of Lit Up! OC (aka Orange County), which is a monthly author event that showcases the work of Southern California writers. (Note: I once may have had a drink or two called the Maddie Margarita, though the recollection of which is hazy and very possibly a false memory for the convenience of this article.) 

In her former life, Maddie spent her time as a corporate executive and business owner. Eventually, though, she decided to “enter the real world,” which led to re-discovering her passion for fiction and ultimately to her writing novels. Most recently, Maddie had two shorty stories published in the anthology, It’s All In The Story, and is currently shopping her romantic suspense novel. 

She belongs to Sisters in Crime (an organization promoting the professional development and advancement of women crime writers, and NOT a band of feminist outlaws), O.C. Writers, and serves on the Board of the Southern California Writer’s Association.

And, full disclosure, I was one of the three authors who Maddie selected to read at the inaugural Lit Up five years ago.

Casey: In the introductory paragraph above, I wrote that Lit Up is a monthly author event. Can you explain in more detail what Lit Up is, including the types of writing showcased?

Maddie: In the beginning, I imagined Lit Up as a kind of amped up literary salon for readers and writers interested in finding new authors and/or talking books with smart people. But after five years, Lit Up has become a community of people committed to supporting at writers at all stages of their writer’s journey. What differentiates Lit Up from most literary or book events is that we welcome both unpublished and published writers interested in sharing their work to our mic! 

C: What was the inspiration that led you to create Lit Up?

M: Lit Up sprung from the abyss that exists between finishing a book and securing an audience. I knew many talented writers in my critique book who had written and independently published books but lacked the skills, desire, and/or platform to get it out to the public. I had also been to many book signings/author appearances where the author was asked unrevealing questions that gave me no insight into who they were as people or writers. That’s where I came up with Lit Up’s unique format. With the support of my critique partners from Pure Fiction League we launched one of Orange County’s most unique literary salons. 

C: And by the way? “Lit Up” is an interesting choice for a name. Please, do tell.

M: Lit Up was intended to be illuminating—hence the name! 

C: What is the “day-to-day” behind-the-scenes aspect of running/producing Lit Up, including how you find authors to read at the events? Is there an open submission or do you “hand select” the authors? What are the criteria that the author has to meet to be accepted for Lit Up?

M: It may not appear so, but identifying, stalking and vetting three talented authors every month is hugely time consuming! Luckily, we have an enormous amount of local talent in Southern California. As the Chief Talent Wrangler for the Southern California Writers Association, a member of Sisters in Crime, and a participant in numerous writers’ conferences – I have the opportunity to improve my own writing and network with other writers. It also helps that reading at Lit Up is a fun, satisfying experience for our authors so they refer their friends. Interested authors can submit a scene or chapter -approx. 2200 words – to maddiemargarita@gmail.com for consideration. We do not require that you or your work be published, just compelling and well-written. 

C: You’re not just the producer, but also the moderator of the Lit Up events. Do you have to psych yourself up to put on a show, so to speak, or does it come naturally for you?

M: As for psyching myself up– I normally hit the bar next door for a few shots beforehand... Well, maybe the first couple of years! Now, I’m more excited than nervous. I mean who wouldn’t be? I have the chance to experience the work of new writers and offer a platform for them to connect with readers and fans they might never have met without us! I research every authors’ work and read their books when I can. When I can, I read submissions and develop questions beforehand. Lately, I’ve discovered I can develop effective questions while listening to the authors—which saves me three or four hours. 

C: Many of the Lit Up audience are “repeat customers” and they really seem to appreciate not only the authors but what you bring to the table. Why do you think that is, i.e., why are you so adored?

M: Adored? Thank God you aren’t prone to exaggeration! I think people attend Lit Up because the people are friendly, the format is unique, and every month they have the thrill of the hunt. A chance to discover their next favorite author. What could be better than that? 

C: How do you get the word out about Lit Up? Do you do any marketing? Is it more about word of mouth? 

M: Lit Up has received support from Pure Fiction League, Southern California Writers, OC Writers and emerging and published writers throughout Southern California—from San Diego to Ventura up to Washington. Word of mouth has been strong, but Facebook, Meetup, and other social media has dramatically extended our reach. 

C: Can you tell us about the venue? How important is the venue for Lit Up? 

M: Our new venue is Bardot Bar & Coffee in Tustin, but we owe a debt of gratitude to our friends at Kean Coffee who supported us for three years. Bardot is hip and lends itself to reading and enjoying our authors. Jeff, the owner has been a gracious host and we look forward to many successful events in the years to come!

C: What is your definition of a successful Lit Up event?

M: For me, a successful night is as much the quality of the work and the connection authors form with the audience as the number of attendees. That’s not to say size doesn’t matter—because it does.

C: How important is it for you to engage the audience? How do you go about doing that?

M: The energy level and participation of the audience in our discussions greatly enhances the quality of experience and gives writers the encouragement to continue! For this reason, I work hard to engage the audience in discussions about the readings and point out what—from my perspective—makes each piece special. 

C: What do you think the benefits are for the audience? Is it more about education/exposure or entertainment?

M: So, I guess there is a strong educational component to the event. We have such a well-read educated audience, and our authors are so smart, that everyone, including me, learns something new every night! But it’s the quality and the diversity of our authors that keeps people engaged and entertained. We’ve had a Pulitzer Prize nominated journalist, a best-selling author, and a talented emerging writer read on the same night! 

C: After a reading, you engage the author in a Q & A. What is your goal in terms of the information you want to extract from the author?

M: Next to using enhanced interrogation techniques, interviewing unwilling and unwitting authors is one of my favorite past times! My goal is to extract bits and pieces of interesting information that provide insight into the writing and the writer’s psyche. I also attempt to reveal the author’s other writing and personal experience to provide context for the audience –also it’s a great commercial for the authors who seem to shy away from promoting themselves and their work. 

C: In addition to running Lit Up, you are involved various other writing/story-related activities/communities as stated in the intro above, which sounds like a lot of time and effort. Why? What’s in it for you?

M: What’s in it for me? It’s funny how many people ask me that question. It’s hard to describe how enormously satisfying it is to be a small part of so many writers’ journeys. Critiquing a writer’s work is best done in a private setting. My job is to talk about the positive, extraordinary aspects of every writer’s work and encourage them to continue. This whole writing thing is a journey not a destination, and meeting and listening to our authors inspires and motivates me to write. Lit Up has provided me the opportunity to make so many new friends—you know who you are—and I am extraordinarily grateful! 

C: You are a published writer as well. How has running Lit Up informed/influenced you, not as a producer of the event, but as a writer?

M: See above.

C: Lit Up just celebrated its five-year anniversary. What does this benchmark mean to you? 

M: People told me Lit Up would never get off the ground. Now, five years later, we’ve provided a platform for over 150 writers and developed a strong and literate group of smart, fun people. How amazing is that? 

C: What motivates you to keep running Lit Up?

M: See above.

C: What are you long term goals for Lit Up? For example, do you have any interest in expanding Lit Up to other locales? What about expanding Lit Up in terms of digital media, such as a video or an online magazine, for example?

M: The vision is for Lit Up to jump to a podcasting sort of event with audience participation. An on-line magazine would be amazing! Anything that we can do to increase our bandwidth, while still allowing time to write is an option. 

C: How long do you plan for Lit Up to exist?

M: As long as our audience and authors get what they need! 

C: Finally, where on social media can people find about Lit Up and upcoming events. And where can they find you?

M: Look for us on Facebook (www.facebook.com/litupoc/), Meetup (www.meetup.com/MaddieMargarita/) or just Google Lit Up Orange County!

In interview, writing Tags Maddie Margarita, Lit Up
ministocker/shutterstock

ministocker/shutterstock

The Best Book I Read In 2018

December 29, 2018

by Casey Pope

I consider myself a slow reader. I’m also an avid reader. The calculus of these two characteristics combined does not equal a favorable condition for someone (me) who currently has (stored on a Kindle) 48 books in the “Reading” folder, 40 books in the “To Read” folder, and an additional 189 samples of books in the “Downloaded Samples” folder. 

Because of my leisurely approach to reading, I was surprised to learn that the number of books I read this year was almost a book a week (47). Full disclosure though: about a 35% of the books were “read” by listening, i.e., I’ve embraced audio books as a way to increase my biblio-productivity, and it’s obviously worked.

Okay, enough with the backstory. But before I get to the best book I read, here’s a disclaimer: This is not a “Best of 2018 List” per se because I’ve considered all books I read this year and not just those that were published this year. Also, I’m selecting only one winner, so, not actually a list (though there are runners-up and honorable mentions mentioned briefly). Besides, there are, like, 5,000 end-of-the-year listicles out there that adhere strictly to judging this year’s publications and I’m thinking that you don’t really need me to regurgitate the same. 

So, here we go. 

And the winner is…

The Idiot by Elif Batuman (Penguin Books, March 2017). Finalist for the 2018 Pulitzer Prize.

The+Idiot+by+Elif+Batuman.jpg

I’ve read this book three times since its publication. I also just downloaded the audiobook version to be listened to in the near future. This is the most times I’ve read a book in such a short period. It’s not only my fave read of the year but possibly top ten of all time. Yes, I love this novel, if that wasn’t clear.

Now that I think about it, The Idiot would’ve won last year too if I had been writing up one of these blogs in 2017, thus a would-be back-to-back winner! In the interest of fairness and variety, I will avoid reading the book in 2019. (Actually, this is only partially true— I will be listening to the aforementioned audiobook version, so…)

Anyway, I was a fan of Batuman’s work before the publication of The Idiot, which by the way is her first novel. My initial foray into her work was her 2010 non-fiction book, The Possessed: Adventures With Russian Books and the People Who Read Them. She’s also written a number of articles for the New Yorker, including her recently very-much discussed piece about the Japanese rent-a-family industry.

The Idiot takes place in 1995, and in general, is essentially an attempting-to-come-of-age story with the backdrop of entry into college life (at Harvard) while navigating the tricky terrain of a profound infatuation with a fellow student. 

Our college freshman and heroine of the novel is Selin. She becomes smitten with an older student, a tall Hungarian named Ivan. He’s studying mathematics. They’ve spoken to each other in class but the real connection happens over email. (A new and exciting form of communication and technology back then!) Selin really likes Ivan’s emails.

The pleasures that I derived from this book are many. Let’s start with the prose. It’s the type of writing that lets you know that the author is preternaturally gifted and is passionate about words. And if you, as the reader, are also a writer (like I am), the quality of the writing can humble you (aka me) to where you maybe reconsider your career choice as a writer and definitely don’t quit your day job. For a prose snob like me, that’s saying something. Then there’s the voice: witty, cerebral, wry, charming, and relatable.

A particularly enjoyable passage was Selin’s consternation with, of all things, the Beatles:

I was troubled by the Beatles, by the contradiction between their jaunty, harmoniously innocent warbling, and the calculating cynical worldview that seemed to underlie it. All the time they had been pleasing that girl, the Beatles had been keeping a tally, resenting her for making them show her the way, waiting to be pleased in return. They went on about how they worked like a dog to make money to buy her things, and in exchange she had to give them everything. What if she didn’t? What if she didn’t know how?

If you are (an unfortunate) someone who is not familiar with Beatles songs, then the passage probably falls flat, which is too bad and not Batuman’s fault. But so this is who Selin is: Able to psychoanalyze the Beatles’ greatest hits compilation and come out of the other side afflicted by pop music existential angst. This is who Batuman is: Able to deftly massage Beatles songs into a harangue by Selin railing against the status quo while concurrently questioning how one might fit into that status quo if one so chose.

This brings us to the tension of the story: The give-and-take between Selin and Ivan, and of Selin wavering between youth and adulthood. If you’ve ever been a teenager straddling The Transition Point, you will most likely appreciate (and/or cringe at) how Batuman forces Selin to confront the many questions about the world that make her anxious and typically lead to more questions, some of which are unanswerable without the life experience that Selin just doesn’t have yet. 

And, of course, there’s Selin’s self-doubt of wondering about her place in the world, her attraction to Ivan, Ivan’s attraction (?) to her. By the way? Ivan has a girlfriend. And sends mixed signals. There are humiliating moments for Selin, both real and imagined.

But it’s not all just youthful malaise. It’s also about the wonder of discovery, of seeing the world from Selin’s point of view. She’s intelligent and book smart, and at times, has a subdued determination bolstered by a hangdog charm, and yet she’s also immature and vulnerable with moments of social awkwardness. It’s a joy to read Batuman’s words describing Selin’s intricate observations filtered through her complicated and layered lens. These details give us a fully realized character who is truly engaging (emotionally, intellectually and empathetically), which, to me, is the bedrock of a compelling story.

Here’s a sample of Selin’s witty melancholia in response to Svetlana (Selin’s fellow student and friend) who’s articulating her theory about making people fall in love: 

Svetlana: “Sometimes I think there could be two kinds of love. There could be one rare kind that just naturally exists between certain people. Then there’s the more common one that’s constructed.”

Selin: It was a mystery to me how Svetlana generated so many opinions. Any piece of information seemed to produce an opinion on contact. Meanwhile, I went from class to class, read hundreds of thousands of pages of distilled ideas of the great thinkers of human history, and nothing happened.

The true gift of this book for me is that it’s, like, comfort food (Ben & Jerry’s Chocolate Chip Cookie Dough, deep-dish pizza, hot fudge chocolate cake, Cool Ranch Doritos) despite the story being about the struggles of youth. It’s the voice, the tone, the characters (including/especially the peripheral ones), the nostalgia of pre-adulthood innocence, the sweet moments of romance and/or the longing for it, Selin’s (understandable) mistakes and her little triumphs, and the coaxing of my sympathy and empathy for her. I like her. I can relate. And I’m willing to go on this journey with Selin, while ensconced in Batuman’s words, over and over again.

The “best of” books in my literary history are more than just about good entertainment, though that certainly is a part of them. These books are of a quality that is both inspirational and aspirational. They push me to excel in my own work and to continue to level up in terms of quality, artistry, and entertainment. And in that sense, The Idiot is in good company and more than qualifies as the best book I read this year.

So, congratulations, Elif Batuman! Your debut novel, The Idiot, is my most cherished read of 2018. Hopefully, this accolade is just as good as, or even better than, almost winning the Pulitzer!

Runners-Up:

2. The Golden State by Lydia Kiesling (MCD, September 2018). This book is on a number of 2018 Best Of Lists.

3. My Brilliant Friend & The Story of a New Name by Elena Ferrante (Europa Editions, September 2012 & 2013). This is a bit of a cheat because, two books. Let’s just say it’s a tie between them. Also, I recommend the HBO series.

Honorable Mentions:

The Flamethrowers by Rachel Kushner (Scribner, April 2013).

My Year of Rest and Relaxation by Ottessa Moshfegh (Penguin Press, July 2018).

Who is Vera Kelly? by Rosalie Knecht (Tin House Books, June 2018).

The Little Drummer Girl by John le Carre (Penguin Books, Reprint Edition, November 2018). The miniseries on AMC is quite good.

A Category All Their Own:

Infinite Jest by David Foster Wallace (Bayback Books, Anniversary Edition, November 2006).

The Pale King by David Foster Wallace (Bayback Books, Anniversary Edition, April 2012).

In book review, best book read Tags The Idiot, Elif Batuman
The Pisces.png

So What If He's Half Fish?

June 7, 2018

Here’s the big question of the story: Is love, i.e., the romantic kind (as differentiated from the unconditional kind, such as a parent’s love for her child, or the love that a dog has for its owner and vice versa) ever really attainable in the ideal sense?

Read More
In book review, story deep-dive Tags The Pisces, Melissa Broder, merman love
header_collage.jpg

Thriller/Crime Fiction Author Tells All!* (*Actually, Only Some)

April 23, 2018

Lance Charnes is the author of thrillers and art crime fiction, and a darn good one at that. His curriculum vitae is also impressive

Read More
In writing, interview Tags Lance Charnes, thriller author, crime fiction author

Outlining Your Novel The Screenwriting Way

March 29, 2018

I hated outlining. I cut my teeth writing short stories, and even then, I hated it, the outlining. I mean, they were short stories. I could’ve outlined the thing on a cocktail napkin. And yet…

Read More
In writing Tags screenwriting, outlining

Latest Posts

  • July 2019
    • Jul 2, 2019 LIT UP! A MONTHLY EVENT ABOUT GETTING HIGH…FROM LISTENING TO STORIES Jul 2, 2019
  • December 2018
    • Dec 29, 2018 The Best Book I Read In 2018 Dec 29, 2018
  • June 2018
    • Jun 7, 2018 So What If He's Half Fish? Jun 7, 2018
  • April 2018
    • Apr 23, 2018 Thriller/Crime Fiction Author Tells All!* (*Actually, Only Some) Apr 23, 2018
  • March 2018
    • Mar 29, 2018 Outlining Your Novel The Screenwriting Way Mar 29, 2018